Thinking about Books

I have decided that I am to have two separate exhibitions, so to speak. One digital, one physical. I was having the dilemma as to maximise all of the media I’ve collected for the project and couldn’t think of a way of making it all work in one small space in a group exhibition. This meant that I looked to using the video and sound for the web to create web presence for the project and then very much have a physical exhibition. I am into books; I have been trying to make books with projects where I can. I … Continue reading Thinking about Books

Dear Robert – Joel Kantor

[WORK IN PROGRESS] ‘Dear Robert’ is Joel Kantor’s most recent iBook, released just earlier this month. “Along the way an exhibit, a letter or an award helped me to accept photography as a central part of my life.” (2010) Joel Kantor uses photography as a way to collect what he thinks is memorable and interesting; from looking at his work he has worked with subjects to tell their story. Such as an interview with an Auschwitz survivor who works as a shoemaker for his neighbourhood and also Dan Fenigstein, a survivor of torture from the Israeli Secret Service. Many of … Continue reading Dear Robert – Joel Kantor

George Rodger – Village of the Nubas

Cover : Village of the Nuba by George Rodger Phaidon Publishing This book is a celebration of George Rodger’s work from the Nuba tribes in 1940s Africa. It is the newer addition of the original book by George from 1955. It contains George’s own written pieces and of course, his photography from tribal Africa. The introduction explores George’s desire to be a pro-humanist photographer, like many other photographers from the post-war period. It highlights points in George’s Life Magazine career, including the devastating effect of photographing Bergen Belson. It goes on to describing George’s ability to take a whole story … Continue reading George Rodger – Village of the Nubas

Lois ‘Jinx’ Rodger Biography

Lois ‘Jinx’ Witherspoon was born in 1925 into a world of adventure. In a conversation with Jinx, I learnt a lot about her life with travel, photography, Magnum and, of course, her husband George. “I’m a travel-ist by birth, I started travelling when I was one month old and probably never stopped, my father was a missionary and he was posted all over the place and we went with him. So travel was it and Africa I had never been to. I loved hearing about Africa from George” Shortly after finishing her degree in New Mexico, Jinx headed to New … Continue reading Lois ‘Jinx’ Rodger Biography

George Rodger Biography

George Rodger was one of the founding members of the highly acclaimed Magnum Photos which was established in 1947. Robert Capa and himself, once photographers for Time & Life Magazine, imagined a photographic career not dictated and copyrighted by magazines, but under their own names. Magnum Photos has now been running for 67 years, Jinx Rodger, George’s wife recalls the early Magnum days with blissful nostalgia and she says “it was sort of like a club,” in conversation with me. Taken from Jon Rodger’s website, George Rodger Photographs, and with inclusions of my other research, here is a short biography … Continue reading George Rodger Biography

Stuart Whipps

I visited the Ikon Gallery in 2011 to see Stuart Whipps’ installation ‘Uncatagorised Boxes’. The work was eluding to the short-lived architectural culture of Birmingham. Architect John Madin saw more than one of his buildings get demolished in his lifetime, and all the remains are the archives of the plans for them. Paper has outlived the brick. What is the purpose of  Stuart Whipps’ work? I think it is curiosity of the archive: what is inside these boxes? Viewers to Whipps’ work are left unknowing. But these boxes hold part of the landscape of Birmingham’s past. In an interview with … Continue reading Stuart Whipps

Research: Getty Images

In 1995, Mark Getty and Jonathan Klein founded Getty Images to bring the fragmented stock photography business into the digital age. And that’s exactly what they did. We were the first company to license imagery online – and have continued to drive the industry forward with breakthrough licensing models, digital media management tools and a comprehensive offering of creative and editorial imagery, microstock, footage and music. Companies and individuals pay Getty Images for their stock photography/licensed work to accompany their business/blog/CD etc. The company prides itself on offering the best digital images to its clients. Therefore, it is of little … Continue reading Research: Getty Images

Flickr: The Commons

In conversation with Aaron Guy (my archive guru) he recalled the Sunderland University Photography Conference from 2011 and how some talks/papers may be of use to me. I couldn’t be more grateful for his effort in helping me retrieve this information: he successfully got the webpage of the talk back online to browse. The last section of talks was called: The Versatile Image: Photography in the Era of Web 2.0. Under this heading I uncovered the paper ‘Flickr the Commons: Challenging Perceptions of Photographic Collections? Summary of talk: Social Media Platforms “generate broad interest on a large scale” Social Media Platforms encourages … Continue reading Flickr: The Commons

Open Access and the Paywall

An unlikely relationship. Seemingly more like arch-enemies in the digital economic landscape as Open Access activists freely oppose the paywall which restricts the everyman to information that apparently “wants to be free”. Paywalls A paywall does exactly what it says on the tin: you can’t go through the gate unless you pay to get in. That is unless you’re a super activist who digs the tunnel underneath or climbs over the top. Paywalls can be subscriptions, such as to Newspapers. This is becoming increasing more common as advertisers are moving away from Newspaper sites and onto cheaper more trafficked websites … Continue reading Open Access and the Paywall

Research Proposal

After months of taking a general interest in the future of digital archiving, including the challenges it faces as physical archives are fast approaching their expiration, I have come to my second revised version of my research proposal. The first being very broad: I wanted to look into the technicalities of what it means to have a usable websites for a user to experience the archive and its contents. I found that there was a serious definition between the commercial and publicly funded archives in terms of their design. However, after much deliberation and talking to Aaron Guy (North of … Continue reading Research Proposal